Last Art School project by Lindsey White
an exhibition and programming series
On view: August 27 - November 22, 2025
(image by Lindsey White)
Participating artists and collections: Mario Ayala, Alex Bradley Cohen, Dewey Crumpler, Henry Fey, Nicole Hayden, Whitney Hubbs, Alicia McCarthy, Sandra Ono, Ralph Pugay, Jon Rubin, Maryam Yousif,Rhoda Kellogg Children’s Art Collection, and the San Francisco Art Institute Legacy Foundation and Archive.
Art History Fellows on Last Art School: Andee Berberich & Rebecca Miralrio with Lindsey White serving free weekly lunch
Installation View
Installation View
Installation View
Children’s fingerpaintings, Rhoda Kellogg International Child Art Collection, ca. 1950s; Fingerpaint on paper
Installation View
Installation View
Lindsey White and Rhoda Kellogg Children's Art Collection
Ralph Pugay (left) and San Francisco Art Institute Archive and Lindsey White (right)
Last Art School Installation view
Lindsey White, Hell Bent, 2025, wood, enamel paint, shoes, desk chairs, audio
Drawing Room, 2025, Acrylic on canvas,
Lindsey White, Hell Bent, 2025, wood, enamel paint, shoes, desk chairs, audio
Jon Rubin, An Art School that Stops the Bleeding, 2018 - 2023, Hand cut letters and felt sewn on backing
Whitney Hubbs, Maybe I Should Be a Dolphin, 2020/2025; Poster
Dewey Crumpler: paintings, Nicole Hayden and Lindsey White: rock mural wall, Lindsey White: signs
Lindsey White, That’s All Folks, 2025
San Francisco Art Institute Archive and Legacy materials, hand painted signs
Chat & Chew, a community gathering space modeled after a cozy local restaurant with free daily coffee and a free homemade lunch cooked and served once a week.
Lindsey White, That’s All Folks, 2025
San Francisco Art Institute Archive and Legacy materials, hand painted signs
Dewey Crumpler, Instruction #4, 2023, Acrylic on canvas
Untitled, 2017; Water-based paint on marine grade plywood.
Site specific mural made for San Francisco Art Institute
"Whole Palm Spread: Rhoda Kellogg and the Biology of Finger Painting" with Brian Belott & Jenn Digioia
Chat & Chew Installation View
Birds of South 13th and Leavenworth Street, 2025, Acrylic and ink on paper
Dynasty Handbag: Mixed Nuts
Dynasty Handbag presents an evening of disreputable performance pieces, disappointing songs, and accurate observational entertainment, designed especially for the Hunter College fiefdom.
Chat & Chew / Last Art School Audience
Sandra Ono, Untitled (2411), 2024-24, Resin, dye, quarters, mochi, Ito En green tea, and Walgreens bags
Reunion, 2021; Acrylic on canvas
Sandra Ono: sculptures
Untitled (2411), 2024-24, Resin, dye, quarters, mochi, Ito En green tea, and Walgreens bags
Lindsey White: lightbox
Walls, 2025, film, wood, LED
Installation View
Lindsey White, That’s All Folks, 2025
San Francisco Art Institute Archive and Legacy materials, hand painted signs
Lindsey White, Closed for Business: SFAI, 2023/2025, three channel video, video link
Untitled, 2021, Acrylic on canvas
Jon Rubin, An Art School the Obliterates All Meaning, 2018 - 2023, Hand cut letters and felt sewn on backing;
Wall by Nicole Hayden
Lindsey White, SFAI Closed for Business, 2023/2025, three channel video
Mario Ayala, Reunion, 2021; Acrylic on canvas
Maryam Yousif
In my room, 2016, Ceramic
Sophie Becker Chat & Chew Public Programming
RJ The Magician performing at Last Art School / Chat & Chew
Chat & Chew motto
Black Lunch Table & keondra bills freemyn, Pollinator & Caroline Woolard, New Crits & Ajay Kurian, Tiger Balm/Unity Newspaper & Maggie Wong, This is a Performance School & DonChristian Jones
Presentations & discussions from artist-founded organizations actively leading alternative educational models today.
This screening features Latin American artists working in video during the run of Artes Visuales, from 1973 to 1981, highlighting the avant garde tendencies the magazine sought to foreground.
curated by Lisa Mason and Grace Sanabria
Join us for a chat with writer & editor Lauren O’Neill-Butler about her new book, The War of Art: A History of Artists' Protest in America, which investigates crucial political additions to art history. Lauren will be in conversation with artist Carrie Moyer, who is featured in the book.
With his latest project, Fugue Spa, he intends to break the confines of academic spaces to host a varied series of lectures with a revolving roster of hosts. The aim is to provide a space that can incubate new and/or unconventional ideas and observations. Subversive immersion is the key.
Last Art School project by Lindsey White
an exhibition and programming series
On view: August 27 - November 22, 2025
(image by Lindsey White)
Participating artists and collections: Mario Ayala, Alex Bradley Cohen, Dewey Crumpler, Henry Fey, Nicole Hayden, Whitney Hubbs, Alicia McCarthy, Sandra Ono, Ralph Pugay, Jon Rubin, Maryam Yousif,Rhoda Kellogg Children’s Art Collection, and the San Francisco Art Institute Legacy Foundation and Archive.
Art History Fellows on Last Art School: Andee Berberich & Rebecca Miralrio with Lindsey White serving free weekly lunch
Installation View
Installation View
Installation View
Children’s fingerpaintings, Rhoda Kellogg International Child Art Collection, ca. 1950s; Fingerpaint on paper
Installation View
Installation View
Lindsey White and Rhoda Kellogg Children's Art Collection
Ralph Pugay (left) and San Francisco Art Institute Archive and Lindsey White (right)
Last Art School Installation view
Lindsey White, Hell Bent, 2025, wood, enamel paint, shoes, desk chairs, audio
Drawing Room, 2025, Acrylic on canvas,
Lindsey White, Hell Bent, 2025, wood, enamel paint, shoes, desk chairs, audio
Jon Rubin, An Art School that Stops the Bleeding, 2018 - 2023, Hand cut letters and felt sewn on backing
Whitney Hubbs, Maybe I Should Be a Dolphin, 2020/2025; Poster
Dewey Crumpler: paintings, Nicole Hayden and Lindsey White: rock mural wall, Lindsey White: signs
Lindsey White, That’s All Folks, 2025
San Francisco Art Institute Archive and Legacy materials, hand painted signs
Chat & Chew, a community gathering space modeled after a cozy local restaurant with free daily coffee and a free homemade lunch cooked and served once a week.
Lindsey White, That’s All Folks, 2025
San Francisco Art Institute Archive and Legacy materials, hand painted signs
Dewey Crumpler, Instruction #4, 2023, Acrylic on canvas
Untitled, 2017; Water-based paint on marine grade plywood.
Site specific mural made for San Francisco Art Institute
"Whole Palm Spread: Rhoda Kellogg and the Biology of Finger Painting" with Brian Belott & Jenn Digioia
Chat & Chew Installation View
Birds of South 13th and Leavenworth Street, 2025, Acrylic and ink on paper
Dynasty Handbag: Mixed Nuts
Dynasty Handbag presents an evening of disreputable performance pieces, disappointing songs, and accurate observational entertainment, designed especially for the Hunter College fiefdom.
Chat & Chew / Last Art School Audience
Sandra Ono, Untitled (2411), 2024-24, Resin, dye, quarters, mochi, Ito En green tea, and Walgreens bags
Reunion, 2021; Acrylic on canvas
Sandra Ono: sculptures
Untitled (2411), 2024-24, Resin, dye, quarters, mochi, Ito En green tea, and Walgreens bags
Lindsey White: lightbox
Walls, 2025, film, wood, LED
Installation View
Lindsey White, That’s All Folks, 2025
San Francisco Art Institute Archive and Legacy materials, hand painted signs
Lindsey White, Closed for Business: SFAI, 2023/2025, three channel video, video link
Untitled, 2021, Acrylic on canvas
Jon Rubin, An Art School the Obliterates All Meaning, 2018 - 2023, Hand cut letters and felt sewn on backing;
Wall by Nicole Hayden
Lindsey White, SFAI Closed for Business, 2023/2025, three channel video
Mario Ayala, Reunion, 2021; Acrylic on canvas
Maryam Yousif
In my room, 2016, Ceramic
Sophie Becker Chat & Chew Public Programming
RJ The Magician performing at Last Art School / Chat & Chew
Chat & Chew motto
Black Lunch Table & keondra bills freemyn, Pollinator & Caroline Woolard, New Crits & Ajay Kurian, Tiger Balm/Unity Newspaper & Maggie Wong, This is a Performance School & DonChristian Jones
Presentations & discussions from artist-founded organizations actively leading alternative educational models today.
This screening features Latin American artists working in video during the run of Artes Visuales, from 1973 to 1981, highlighting the avant garde tendencies the magazine sought to foreground.
curated by Lisa Mason and Grace Sanabria
Join us for a chat with writer & editor Lauren O’Neill-Butler about her new book, The War of Art: A History of Artists' Protest in America, which investigates crucial political additions to art history. Lauren will be in conversation with artist Carrie Moyer, who is featured in the book.
With his latest project, Fugue Spa, he intends to break the confines of academic spaces to host a varied series of lectures with a revolving roster of hosts. The aim is to provide a space that can incubate new and/or unconventional ideas and observations. Subversive immersion is the key.